Saturday, 31 December 2011

Jazz Night 2nd Jan

The Marsam Hotel is having a Jazz Night Starring Ahmed Harfoush. The songs will be mostly english - classical jazz.

The night will be the 2nd of January 2012, a Monday. @ 8pm Entry is 10Le, But dinner will be at 7pm for 50Le (people that come for dinner and show don't have to pay entry ofcourse)

We ask that if Groups over 4 want dinner to book ahead 01003426471 - Natasha mobile.

Thank You, hope to see you there, Natalie

Thursday, 29 December 2011

Postcard from Thoth Hill



Michael on the roof walked up to Thoth Hill with my walking guide Mohammed Ismail. They used a new route which only took 90 minutes which Mohammed had found. Michael is reasonable fit but closer to 80 than 70, he says it is a stiff climb but not too bad, so a good walker should have no problem. This temple is unique as far as we know being on top of a hill and worth a visit.

Tuesday, 27 December 2011

15 years in the tomb of Harwa - Francisco Tiradritti

did find it tricky to take notes and have put question marks where I am not entirely clear what was said, anyone that would like to clarify for me would be my friend for life. :)

The team started work at the tomb of Harwa in 1996 although a survey had been done a year earlier. Harwa was a very important official, Great Majordomo of the God’s wife of Amun or Divine Votaress and there are 8 known statues of him (see the website http://www.harwa.it/harwa.php?action=reset also for a life of Harwa see http://www.harwa.it/vecchisiti/sito99/harwlife.htm ) and they are in different styles the ones in the Cairo Museum and Assuan are Old Kingdom, the block statues are New Kingdom and there is a shrine that is Middle Kingdom. This is because the 25th Dynasty was part of the Pharaonic Renaissance of Egypt. Although all periods had copied previous styles the Nubian Kings specialised in this by with a Nubian twist.

In the 25th dynasty Hatshepsut’s temple at Deir el Bahri was still in use so Harwa built his tomb on the causeway of Mentuhotep.

The tomb decoration follows a pattern that Francesco calls the Path of Harwa, as you go from the first courtyard through the tomb you also go through Life, Death and Rebirth.

Due to the condition of the tomb plywood has been put on the pillars one so the fragments can be put in place and second so the missing decoration and text can be drawn. Helpfully the tomb of Pabasa which they also have a concession to, copied Harwa and they are able to use it as a reference and model for reconstruction. There is a large database of blocks, over 8000 and it is on the internet which means all the scholars working on the tomb are able to access it where ever they are, currently protected by a password they hope eventually to open it up.

In the 2nd pillared hall, when they started excavating it was completely covered by bats’ guano and the slide showed the enormous thickness of this which had to be cleaned off.

On the southern wall of the passage between the second pillared hall and the shrine there is a figure of Anubis, originally looking one way he was plastered over and turned to face the other way. Because part of the plaster had fallen off when the artists of Pabasa copied the scene the also copied part of the alteration.

Although Old Kingdom style identical offering bearers are on the walls the Nubian twist was to make each of them unique.

Francesco believe that the artists, judging by the style, went from Memphis to Karwa, Sudan by the 3rd cataract and then to Thebes.

Objects Found
They have found envelopes address to Howard Carter and of Eismann Semenowsky a painter; fragments papyri, fox hole, two late Roman funerary portraits, demotic papyrus, Book of the Dead papyri, pottery, mummies, seals, a vase of Isis with holes in her breast to pour libations.

They are working on publishing and hope to have it in traditional and e-book format. So you will have to wait for that for more details.

Next week Miriam Ayad of the American University of Cairo is going to talk about the Opening of the Mouth Ritual.

Monday, 26 December 2011

Chicago House Library Luxor has original copy of book said to be destroyed in fire last week - Books - Ahram Online

please ignore this, the newspaper got it complete wrong.

Chicago House Library has original copy of book said to be destroyed in fire last week - Books - Ahram Online: Librarian Marie Bryan, manager of Chicago House Library it Luxor, has announced that they have a handwritten copy of the famous book ‘Description De l’Egypt’ and that it is open for researchers and Luxor habitants to read.

Bryan said the copy they have consists of 20 volumes, compiled during the campaign when Napoleon came to Egypt in the eighteenth century by a number of scholars and scientists from a range of disciplines. The book’s full title in English is ‘Description of Egypt: the collection of researches and observations on Egypt during the French campaign.’

Egyptian authorities announced the loss of the original copy of the book in the fire of the Egypt Scientific Institute during the cabinet office clashes, sparking considerable controversy. It has since transpired that there are several printed copies of the book which was published more than 200 years ago.

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Good old Chicago House, they have some fantastic books there.

Saturday, 24 December 2011

Avenue of sphinxes to open to public in March - Ancient Egypt - Heritage - Ahram Online



Avenue of sphinxes to open to public in March - Ancient Egypt - Heritage - Ahram Online: During an inspection tour of Luxor’s archaeological sites, the Minister of State for Antiquities Mohamed Ibrahim announced that the Avenue of Sphinxes will be partly opened to public by mid March. “We have chosen a date that coincides with the opening of the Berlin International Tourism Market on 13 March 2011,” Ibrahim told Ahram Online.

He explained that a 150 metre long section out of the 2,700 meters of the avenue will be ready for the public after restoration, promising to solve all technical and financial problems in order to resume restoration work in the rest of the avenue.
The Avenue of Sphinxes was built during the reign of Pharaoh Nectanebo I of the 30th Dynasty. It replaced another built in the 18th Dynasty by Queen Hatshepsut (1502-1482 BC), as she recorded on the walls of her red chapel in Karnak Temple.

According to this record, Hatshepsut built six chapels dedicated to the god Amun-Re on the route of the avenue during her reign, indicating that it had long been a place of religious significance.
However, over the span of history the avenue was lost, with some of its sphinxes destroyed and whole stretches buried in sand and build on.

Five years ago, in the framework of the Ministry of Culture, a programme to restore ancient Egyptian monuments with a view to developing the entire Luxor governorate into an open-air museum, a project was planned to recover lost elements of the avenue, restore the sphinxes and bring the place back to its original aspect.

During his tour with Luxor Governor Ezat Saad, Ibrahim visited American Research Centre excavation and restoration sites in Khonsu temple as well as monuments of the 18th and 19th dynasties at Karnak temple.

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Friday, 23 December 2011

StickingFestival's Channel - YouTube

Lots more videos of the Stick Dancing. StickingFestival's Channel - YouTube

Translation from Google


National Thtaib festival is a festival held every year on the oldest Egyptian territory has seen since the dawn of history the finest arts and excelled torch light and civilization, a city which hosts the festival since its inception in 1994 the first city of Luxor under the auspices of the Ministry of Culture, in collaboration with the Governorate of Luxor. The festival involved several different teams of folk groups of the General Directorate of Folk Art of the General Authority for Cultural Palaces, and accompanied by a set of flute band Nile folklore associated with the logging circuit.

For the fifth consecutive year the honor to host the shorter fifth session of the logging festival, which takes square Abu pilgrims as one of the numerous cultural festivals that have become the name of Luxor, which adds to the city tourism conferences and festivals are known by the side of cultural tourism.
Despite what is known about the art of logging as a folk art associated with Upper Egypt, but that the roots of this art back to the era of the ancient Egyptians, as recorded on the walls of Pharaonic temples and tombs of ancient art becomes popular reflects the Egyptian environment exclusive to the south of Egypt. Which underscores the civilization extended throughout history.

: المهرجان القومي للتحطيب هو مهرجان يقام كل عام على أعرق أرض مصرية شهدت منذ فجر التاريخ أروع الفنون وأبدعت مشعل النور والحضارة وهي المدينة التي تحتضن هذا المهرجان منذ نشأته الأولى في عام 1994 مدينة الأقصر تحت رعاية وزارة الثقافة وبالتعاون مع محافظة الأقصر . ويشارك بالمهرجان عدة فرق مختلفة من فرق الفنون الشعبية التابعة للإدارة العامة للفنون الشعبية بالهيئة العامة لقصور الثقافة، وبمصاحبة مجموعة المزمار من فرقة النيل للفنون الشعبية المصاحبة لحلبة التحطيب.

وللعام الخامس على التوالي تتشرف الأقصر باستضافة الدورة الخامسة لمهرجان التحطيب والذي يقام بساحة أبو الحجاج كواحد من المهرجانات الثقافية المتعددة التي أصبحت تحمل اسم الأقصر التي تضيف للمدينة سياحة المؤتمرات والمهرجانات بجانب ما اشتهرت به من سياحة ثقافية.
وعلى الرغم مما عرف عن فن التحطيب باعتباره أحد الفنون الشعبية المرتبطة بصعيد مصر، إلا أن جذور هذا الفن تعود إلى عصر قدماء المصريين كما هو مسجل على جدران المعابد الفرعونية والمقابر الأثرية ليصبح فن شعبية يعبر عن البيئة المصرية الخالصة لجنوب مصر. الأمر الذي يؤكد على حضارة ممتدة على مدار التاريخ.

ولأول مرة في مصر تقوم الإدارة العامة للفنون الشعبية بعمل نقل مباشر لأحداث المهرجان وحلقات التحطيب أثناء فترة المهرجان

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Syrian Market






By the side of Luxor temple there is a fabulous market of Syrian goods. My late husband was from Syria and I have many lovely pieces from there, Syrian Damascus, inlaid goods and many other items. The market had many, many more. Bridal wear including honeymoon wear, dresses, carvings, kitchen wear. The customers are mostly Egyptian but I encourage you to have a look. Not sure how long it is there for.

I talked to one store holder commiserating on the troubles there and he said it is all media, there are no problems in Damascus and it is just a small number of people!!!!!!!!!!!!!!!!!!!!!!!!!!! Just like we keep saying about Luxor.




Wednesday, 21 December 2011

Saidi (Upper Egyptian) Music in front of Luxor temple



The crowds enjoy the the music.

Egyptian musicians from Upper Egypt play a form of folk music called saidi (Upper Egyptian). Metqal Qenawi's Les Musiciens du Nil are the most popular saidi group, and were chosen by the government to represent Egyptian folk music abroad. Other performers include Shoukoukou, Ahmad Ismail, Omar Gharzawi, Sohar Magdy and Ahmed Mougahid.


From Wikipedia
The music of Egypt has been an integral part of Egyptian culture since ancient times. The ancient Egyptians credited one of their Gods Thoth with the invention of music, which Osiris in turn used as part of his effort to civilize the world. The earliest material and representational evidence of Egyptian musical instruments dates to the Predynastic period, but the evidence is more securely attested in the Old Kingdom when harps, flutes and double clarinets were played. Percussion instruments, lyres and lutes were added to orchestras by the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today. Egyptian folk music, including the traditional Sufi dhikr rituals, are the closest contemporary music genre to ancient Egyptian music, having preserved many of its features, rhythms and instruments.

They also played recorders and clarinets. In general, modern Egyptian music blends these indigenous traditions with Turkish, Arabic, and Western elements. Arabic music is usually said to have begun in the 7th century in Syria during the Umayyad dynasty. Early Arabic music was influenced by Byzantine, Indian and Persian forms, which were themselves heavily influenced by earlier Greek, Semitic, and ancient Egyptian music. The tonal structure of Arabic music is defined by the maqamat, loosely similar to Western modes, while the rhythm of Arabic music is governed by the awzan (wazn, sing.), formed by combinations of accented and unaccented beats and rests. Typically ancient Egyptian music is composed from the phrygian dominant scale, phrygian scale, Double harmonic scale (Arabic scale) or lydian scale. The phrygian dominant scale may often feature an altered note or two in parts to create tension. For instance the music could typically be in the key of E phrygian dominant using the notes E, F, G sharp, A, B, C, D and then have a A sharp, B, A sharp, G natural and E to create tension.

Since the Nasser era, Egyptian pop music has become increasingly important in Egyptian culture, particularly among the large youth population of Egypt. Egyptian folk music continues to be played during weddings and other traditional festivities. In the last quarter of the 20th century, Egyptian music was a way to communicate social and class issues. Among some of the most popular Egyptian pop singers today are Mohamed Mounir and Amr Diab.
Religious music remains an essential part of traditional Muslim and Coptic celebrations called mulids. Mulids are held in Egypt to celebrate the saint of a particular church. Muslim mulids are related to the Sufi zikr ritual. The Egyptian flute, called the ney, is commonly played at mulids. The liturgical music of the Coptic Church also constitutes an important element of Egyptian music and is said to have preserved many features of ancient Egyptian music.

Tuesday, 20 December 2011

Stick Dancing Festival in front of Luxor Temple


Tahtib (Arabic: تحطيب taḥṭīb) is the Modern Egyptian term for a traditional form of Egyptian folk dance involving a wooden stick, also known as "stick dance" or "cane dance". It is sometimes also described as a "stick-dancing game", or as a highly ritualized mock fight accompanied by music. Also known as Raqs al assaya


From Wikipedia
The stick
The stick itself is about four feet in length and is called an Asa, Asaya or Assaya, or Nabboot. It is often flailed in large figure-8 patterns across the body with such speed and violence that the displacement of air is loudly discernible. There is another form practised from horseback known as “Horse Stepping” which uses a stick that is nearly 12 feet (3.7 m) long.

Performance
Although the dance form originally started as male-only, there are women who perform dressed as men and dance with other women. Another female version of stick dancing has been developed with a flirtatious and generally less aggressive style, and incorporated into cabaret or Raqs sharqi performances. The stick used for this type of dancing is generally thinner, more lightweight and hooked at one end like a cane, and generally embellished with metallic-coloured foil or sequins. The costume worn is usually folkloric: a simple Baladi dress, although Ra's el Assaya (Dance of the Stick) is often performed as part of the popularized cabaret dance set. Performance styles include balancing the cane on head, hip or shoulder.
Music
The music used in Tahtib features the tahvol (bass drum) and mizmar (folk oboe). The tahvol is a double-sided drum worn with a shoulder strap so it hangs sideways in front of the drummer and is played with two sticks. The right hand uses a heavier stick with a hooked head to beat out the "dums" which drive the heartbeat of the rhythm, while the left hand uses a light twig as a switch to produce rapid-fire staccato "taks". (Dum = the deep sound from striking the center of the drum with the right hand or with a knobbed stick; Tak = the higher sound from striking the edge of the drum with the left hand or with a light switch).

It is possible that English Morris(Moorish) dancing is a descendent of this.

Monday, 19 December 2011

Mummification Museum Lecture - Merenptah Sarcophagi Reconstruction - Edwin Brock

Merenptah Sarcophagi Reconstruction – Royal Ontario Museum – Edwin C Brock Director
It was wonderful to be back at lectures again and with a brand new projector and screen. Mansour Boraik welcomed us all back; he also mentioned that whilst the trouble has been going on Luxor has remained safe and quiet for the antiquities and visitors alike. Ted Brock and he had worked together at Memphis and more recently on the dewatering project due to be published soon. Mansour hopes to reopen the tomb at the end of February. There was an attendance of about 100.
Ted Brock then started the lecture. Permission for this project came just before the revolution so consequently work did not start until April. Merenptah was he 13th son of Ramses II and his eventual successor; he reigned for 10 years and was middle aged when he came to the throne. Unusually he had 4 stone sarcophagi; Ted has been studying for a dissertation on royal sarcophagi of New Kingdom pharaohs after Akhenaton. In 2003 there had been a project to restore the sarcophagus of Ramses VI KV9 run by USAID and ARCE. The inner coffin had been smashed to pieces so that the outer coffin of red granite could be reused. That had a 1 meter thick base. (There is a piece about this http://heritage-key.com/blogs/dasha/achievements-and-problems-modern-egyptology-moscow-day-two and here http://weekly.ahram.org.eg/2004/683/eg7.htm

With Merenptah there are 4 sarcophagi 3 of red granite and the 4th of Travertine, Egyptian alabaster. The lids are
• 1st lid in chamber H(http://www.thebanmappingproject.com/atlas/index_kv.asp where it had been left after the 3rd box had been moved to Tanis in XXI dynasty
• 2nd lid cartouche shaped with an effigy of the king left in situ in chamber J on modern limestone blocks found in 1903 on its side by Carter
• 3rd lid (and box) was reused by Psusennes I however the remaining glyphs show that it was originally made for Merenptah when he was crown prince. It also has a effigy of the king
The fragments of the sarcophagus were stored by Carter in chamber FA. Aidan Dobson has a line drawing of the various lids in his book about mummies and they hope to do the same for the bases. The decoration on the third box, because it was made for Merenptah as a prince, shows a difference collection of gods and goddesses than would be for a pharaoh.

The sarcophagus were moved into the tomb AFTER it was carved and decorated and this created a lot of problems as the door jams were not wide enough. Larges squares were also carved out to allow for the wooden beams that were used to get it into the tomb. The door jams were then replaced by sand stone blocks.
Ted had started back in the 1980’s to sort the heap of fragments into by box. He then followed with test assemblies. New fragments were also found by the French cleaning the lower chambers and the SCA excavating outside the tomb. The test assemblies and fragments groups were drawn by Lyla Pinch Brock. Once documented the proper assembly could be made, they used epoxy resin and sometimes drilled and pined with stainless steel rods.

When complete they then decided where to place it. The second sarcophagus lid had been left in situ supported on limestone pillars, it was decorated inside and out, the end of the lid echoes the tomb ceiling. This was moved (easy to say but difficult in engineering terms to do). The pit where it was then cleared, the travertine piece left in situ, modern limestone blocks put in place to hold the box, the broken corner of the travertine was also repaired. A new floor was made, the size of this was guessed at using the damage done to the decorated tomb to estimate the original height of the box at 42cm. The entire floor was not put in place just that needed to support the walls of the box. The fragment groups were put in place using levers and rollers much like the ancients would have done. The floor trimmed to fit. They have managed to restore about 1/3 of the box and you can see the scorch marks where fire was sued in conjunction with cold water to crack the stone.
The lid could not be put back in place on top of the box as that would have raised the height so much that the effigy would no longer be visible so they have put it to the side on a plinth and expect to install mirrors and lights so the inside decoration can be seen by visitors. Lyla has also drawn on the empty spaces outlines of what would have been there.
In the question and answer Ted noted that it is was very unusual to have some many stone Sarcophagi.
Mansour also mentioned that the beard of Psusennes had been found and restored in place.

The next lecture will be Francesco Tiradritti on the tomb of Harwa and will take place Monday 26th December

As ever I welcome corrections

Sunday, 18 December 2011

Hilton Luxor Resort & Spa raises EGP 16,500 for Luxor Orphanage | Al Bawaba

Hilton Luxor Resort & Spa raises EGP 16,500 for Luxor Orphanage | Al Bawaba: - Sent using Google Toolbar

From Luxor Foods aka Pork in Luxor

Good Morning,

Just to let you know that there are still seats on our HURGHADA SHOPPING TRIP. You still can book Today and Tomorrow. We go on Wednesday 21th.

ORDERS:

You still can order Today and Tomorrow. Your order will be ready for pick-up on Thursday 22nd, at the LUXOR FOODS OUTLET at BROODJE HOLLAND, all in time for you to finish your X-mas Dinner plans.
Please let us know if you would like a German Folder.

From all of us at LUXOR FOODS,

A VERY MERRY CHRISTMAS.

Thursday, 15 December 2011

University of Basle in Valley of Kings from EEF

The University of Basle is conducting surveys on undecorated tombs in the Vallehttp://www.blogger.com/img/blank.gify of the Kings.
Many photos and tomb plans of the undecorated tombs KV 26, KV 29, KV 30, KV 31, KV 37, KV 40, KV 59

http://aegyptologie.unibas.ch/forschung/projekte/university-of-basel-kings-valley-project/

Beside KV40 a new discovery was made:
"During the preparations for the protective brick wall on the north side of KV 40, we discovered a manmade feature under a heap of big stones, only 1,5 m from the shaft edge of KV 40. (Fig. 6) The feature measures 1 m by ca. 2 m. Because of its close position to KV 40, it could be a funerary deposit for this tomb. Due to its small size, it could also be just the beginning of an unfinished shaft."

2011


2010


2009

Wednesday, 14 December 2011

5th National Festival of Sticking - المهرجان القومي الخامس للتحطيب

Luxor friends: did you know that the 5th National Festival of Sticking is taking place in Abu el Haggag from 17th - 21st December? No? Well, now you do!

Thanks to Morag Brand

5th National Festival of Sticking - المهرجان القومي الخامس للتحطيب: - Sent using Google Toolbar

Luxor Lectures start 18th Dec - Ted Brock on tomb of Merenptah

Great news, just heard from Mansour Boraik that lectures will restart at 7pm at the Mummification Museum. The first lecture will be Edwin Brock on the work in the tomb of Merenptah. Please pass on the good news

Irynefer Open again while TT1 is closed

I am republishing this post from August 2010 as Irynefer has reopened again. Visit quick

TT290 Irynefer opens for tourists



I must be completely mad I heard that TT290 Irynefer had been newly opened for tourists and instead of going there early I went at 12:30. It was hot, very, very, very hot but it was worth it. When you buy your ticket for Deir el Medina at the ticket office there is a sign up saying Sennedjem is closed for restoration and they have opened Irynefer in its place. Although the English is a little ambiguous lol.

It is at the far end of the village and slightly up the hill. They have made a new shelter and sign for it. It is part of the normal Deir el Medina ticket and instead of Sennedjem which is being restored you get Irynefer. It doesn’t have any of that nasty plastic screening so please be careful with backpacks and brushing the walls if you visit.


The burial chamber is barrel vaulted and very nicely decorated. The round walls are on the north and south ends and the entrance is in the East wall.

Along the north wall the owner and his wife are adoring and they are wearing very Ramaside clothing, his kilt has a high back and her dress is elaborately pleated. There is a figure of Kephri as well as a god I am not familiar with who was lying along the top of a shrine or pylon, had rams horns and a feather on top of his head. According to Porter and Moss it was Sobek. It was like a sphinx pose and there was a snake in a wave above his back. There was a sen priest behind Kephri who is seatd in front of an offering table. In the second register the deceased was adoring Osiris and two guardians at the gate . There are 42 judges (I counted) and they go around from the north to the west wall. Shu and Maat are seated on left.

Also on the west wall there are also snakes and feathers alternating with baboons representing Thoth at the end. On the curve of the ceiling there are several ibis headed gods as well as a lot of familiar Gods, including the goddesses Isis and Nephytys. The deceased stands in front of falcon (Horus) with a flail. Then the deceased is being led forward by Anubis to Osiris. Above that are 5 star gods alternating red and green faces with the stars next to them.

On the south wall there is a large figure of Anubis and a mummified body lying on a lion headed couch.

The east wall is the most interesting, there is a vignette of a silhouetted human figure, apparently the shadow of the deceased a ba bird and a ba bird in flight and a black sun. Then there is Hathor (according to Porter and Moss Mehitwert-cow) lying down beside a lake, then a winged Nut with a green body and a red dress with white ribbons, although her shoulders are square onto you one breast shows which is decidedly odd looking. On the bottom register there are two vignettes one of a mummy mask on a pylon and the other of a head rest on a pylon. Complimenting Osiris on the west wall we have Ptah with the deceased and his parents. The deceased is offering a large Maat figure. Then there are two white wigged figure of a man and woman his parents Siwazyt, a priest(Head of the bark of Amun) and Tausret, his mother both wearing very Ramaside garments. the parents are shown much larger size than the deceased due to their rank. The middle register has two trees with a red sun and the deceased and his wife, Mehytkhati, adore a white calf in-between the tress. In the bottom register there is a phoenix or benu-bird in a boat with the deceased with his son on the left. The top register has the deceased drinking from a lake in front of a palm tree, similar to Pashedu but the palm tree is in front in that tomb.


I had a lot of difficulty find any information about this tomb, especially with Chicago House being closed but did find this article http://www.egiptomania.com/EEF/Blindness.pdf which speculates that spell 135 is about a solar eclipse and is in this tomb.


Osirisnet only has an intro, this image was an old cached one from Osirisnet but the current page says under construction.

Edited Ken Griffin very kindly sent me this "The tomb of Irynefer is published
Bruyère, Bernard and Charles Kuentz. La tombe de Nakht-Min et la tombe d'Ari-Nefer (= MIFAO, 54, 1), see especially Pp. 67-152." as well as directing me to Porter and Moss and I have given my description a good edit based on that info

Tuesday, 13 December 2011

A conference in Luxor via the EEF

Dear Colleagues,

The American-Egyptian mission South Asasif Conservation Project would like to announce a conference "Thebes in the First Millennium BC" in October 2012. The full text of the announcement may be found below.

Dr. Elena Pischikova
Director, South Asasif Conservation Project, SCA

---

CONFERENCE: THEBES IN THE FIRST MILLENIUM B.C.

The main focus of this conference is current archaeology and research on tombs and temples of the Twenty-fifth - Twenty-sixth Dynasties in the Theban area.

Papers on other Egyptian sites and monuments of the Kushite and Saite Periods are also invited from all areas of research including archaeology, art history, history, chronology, religion, linguistics and anthropology.

The conference is organized by the South Asasif Conservation Project team as the first event in a series of regular conferences on Egypt in the First Millennium BC. We expect it to become a place for Late Period scholars to share information on the latest archaeological discoveries and research. The amount of work done in this area is growing every year and we feel the need for a regular gathering place where scholars can bring their questions, ideas, and suggestions, which will encourage discussion. Therefore, the format of the conference will combine presentations with discussion panels to give more room for communication.

The conference will be accompanied by field trips to the archaeological sites related to the period, including the Kushite and Saite tombs of the South Asasif necropolis. For more information on the South Asasif Conservation Project visit our website www.southasasif.com.

The main topics featured at the conference will include
• Kushites in Thebes
• Archaism
• Private tombs, their architecture, decoration and concepts
• Style and iconography of Kushite imagery
• Religious Texts: Book of the Dead, Pyramid Texts, Coffin Texts,
• Hours Ritual, Opening of the Mouth
• Burial equipment
• Pottery

Format
The conference is planned as a four-day event including papers and field trips. The first day of papers will be dedicated to the South Asasif necropolis. The speakers will include the mission members of the South Asasif Conservation Project. The other days will be dedicated to Twenty-fifth - Twenty-sixth Dynasty monuments in the Theban area and outside. The proceedings of the conference will be published.

Time
October 1-4, 2012

Place
Mummification Museum, Luxor

Abstracts
No more than 200 words

Deadline
March 31, 2012

If you express interest in participating or attending the conference you will receive an information package and registration form. Please send all the inquiries to

conference@southasasif.com.

We look forward to receiving your feedback.

Best wishes,

South Asasif Conservation Project
Elena Pischikova
Julia Budka
Kenneth Griffin

Monday, 12 December 2011

Made in Egypt - real Egypt - Folk Arts - Folk - Ahram Online


Made in Egypt - real Egypt - Folk Arts - Folk - Ahram Online: 2 / 3
Gallery


Bright colours of blue, green, red, orange, yellow, fuchsia and purple capture the eye the minute anyone walks into the large hall of the Association of Upper Egypt for Education and Development (AUEED) headquarters in Cairo at its annual exhibition.

When spectators are lured towards the enchanting colours to focus on the details, they also notice the Egyptian art displayed on canvases hung on the walls, textiles on the counter in the middle and the cushions laid out haphazardly in the corner.

Village of Akhmim

Samira Attia, the gallery curator approaches visitors with a big smile as she does rounds around the gallery introducing the art from a village called Akhmim. She talks of its long history in textile crafts and presents the impressive art pieces on display.

“Welcome to the village of Akhmim, governorate of Sohag,” Attia announces to guests with a smile.

“Textile art and crafts have long been the heritage of Upper Egypt, especially that of Akhmim, whose name dates back to Ancient Egypt,” she explains.

“The craft has been with the Akhmim women for over a thousand years and it has been our aim since the foundation was established to develop this craft and highlight Egypt's heritage identity, so we founded the Akhmim Community Centre.”

The Akhmim Community Centre produces nowl (woven textiles) inherited from Ancient Egypt and has been the trademark of Akhmim ever since. Around 133 girls and women, ageing from 20s-50s, are involved in the production, in addition to embroidered mats and spontaneous art works.

All should represent Islamic, Coptic, or Ancient Egyptian art, “nothing foreign nor modern, in order to keep the Egyptian heritage alive,” Attia confirms.

Women of the village carry out the inherited craft from one generation to another. “We don’t interfere in the designs those young girls offer,” Attia tells Ahram Online. “This is their original work; they choose the topic of their artistic canvases from the environment they are exposed to...Colour choices and arrangement come from their instinct and talent within,” she proudly comments on those Upper Egyptian young artists.

Through the number of field trips the girls go on – including their natural surroundings – girls of Akhmim draw nature and human activities with a piece of chalk on each textile canvas. Afterwards, as Attia explains, “comes the needlework of embroidered drawings of Upper Egypt and from field trips to public gardens here in Cairo, and so forth.”

Safaa Ismail is among the latest generation of weaving artisans and presented one of the most unique pieces. “Through her short trip in Balteem, she drew the Egyptian folklore dances of villagers and a horse,” Attia explains.

“This is the result of a year and half of handmade crafts that present the Egyptian tradition,” says AUEED exhibition manager

Each hall of the AUEED premises leads to another smaller one. The woodwork of another Upper Egyptian Village, Hegaza, near the governorate of Luxor is presented here.

Village of Hegaza

Hegaza, a village in Egypt, was formerly known as Al Hegaz, after what is today Saudi Arabia, or Al Hagaz, in medieval times. The village was one of the resting spots for Egyptians along the way to perform the pilgrimage, one of the five pillars of Islam.

The Hegaza woodwork-training centre produces decorative items, kitchen equipment, games and furniture, involving around 80 young male graduates in the production.

“Large chunks of wood are cut into raa’t and bolat (several thick layers) and are left for over two years to completely dry out,” Nader explains. “Young men of Hegaza engrave and reform the whole piece of wood to produce the artistic piece and kitchenware they desire.”

“From a single chunk they make wooden jars, jugs, plates, and chessboards, etc.,” he demonstrates.

Products are left in the original colour of the wood chunk it came from, keeping its natural beauty without dyes or paint.

“The wood used to make plates and kitchenware is called Sarso’ and inherited from generations,” he gives more details.

Originally men of Hegaza used to work on woodcrafts using logs from orange trees and olive trees until the Sarso’ wood was discovered. What distinguishes the Sarso’ wood is its varied shades in each log, ranging from light beige to chocolate brown, giving each piece an artistic and harmonious choice of colours, “suiting every taste and design of the household,” reveals Nader.

In the same breath he emphasises the importance of representing core Egyptian traditions in crafts and design.

When those young men of Hegaza graduate from the Hegaza woodwork-training centre, “the AUEED grants groups of ten graduates or less the capital to start their own workshop,” he says.

“We finance the workshops, buy equipment and help distribute and market their products through something like this exhibition in addition to the recently-established Fostat Shopping Centre in Islamic Cairo,” Nader says.

Community centres in Akhmim and Hegaza are only two projects of the entire AUEED.

The proceeds of both projects go to the centres of both villages with a percentage given to artists and craftsmen of this exhibition.

Programme:
Open until 17 December
65 El Obeissi Street
Daher, Cairo

- Sent using Google Toolbar

Hashem apartments and tours, Alexandria, Egypt

Found some great contacts in Alexandria. Now if you are into the later periods on history and Roman history this is the place!!!! Hashem apartments and tours, Alexandria, Egypt: - Sent using Google Toolbar

Sunday, 11 December 2011

Camels and horses in Luxor



Luxor isn’t just tombs and temples but camels and horse drawing carriages as well. These camels were being taken for a ride rather than the other way round. Whenever I see this I wonder how on earth they manage to get the camels in the back of the truck.

Monday, 5 December 2011

Luxor Foods : Pork in Luxor

video

Our wonderful friends at Luxor Foods have added a huge extra range not only pork, bacon and ham but saukraut, red cabbage and loads of other Christmas goodies do pop in and see what they have. Love this little video

A peaceful Ain Sokhna by the sea - YouTube

A friend who lives at Ain Sokhna wanted to show her very safe area of Egypt too. Egypt is not Tahrir Square.

The videos where shot yesterday in Tulip Resort, on the Red Sea/Suez Strait coastline in Ain Sokhna which is about an hour or so outside of Cairo and a mere 40 kms from Suez. Close by is Stella Di Mare Resort which hosts 3 international hotels, and the largest golf course in the region. Ain Sokhna is also the home of DP World port. (DP World being the port operators that the USA was all concerned about managing their ports, and is one of the largest port operators in the world)

And the dogs in the video are the baladi dogs that just kind of hang around and are the sweetest dogs and were very excited to become movie stars and do their bit to represent Egypt as a safe place.



Friday, 2 December 2011

Animal Welfare of Luxor


Driving to pick up people from the airport the other day I saw a new building with AWOL on it, contacted Pauline and she directed me to a website update. Most animal welfare charities are based on the East Bank yet so much of the rural life takes place on the West so I as a West Bank girl I am delighted to support them (and they have helped with my cats as well).

Animal Welfare of Luxor http://www.awol-egypt.org/concentrates its efforts on the animals of El Marise and Armant which are the main villages of a very large agricultural area on the west bank of Luxor, just to the south of the main bridge across the river Nile. This is the bridge that you cross over on your way to the ancient sites of the west bank. You may well see us working actually on the bridge or anywhere on either side of this stretch of road. At this moment in time it is difficult Click Here to see pictures of El Marise where AWOL looks after the animals.to give you a more precise location as to where to find us on any given day due to us being mobile throughout this area. We would like to meet you whilst you are in Luxor so please Click Here for our contact details and information on where we can meet that you can print off and bring with you.

Looking to the future Animal Welfare of Luxor purchased land in 2009 in order to build the AWOL Centre. The land is ideally located as it is both really easy for the local people to bring their animals to, as well as for visitors to find as they will go right past it when they go to the west bank by road. It was very time consuming, and at times most frustrating, to obtain all the correct building permissions, but once we had them we started building in late March 2011, even though we still lacked the required funds to complete the project.

It is going to be quite different having a centre as well as being mobile but will allow us to do much more for the animals. We will in due course look forward to welcoming you at the centre and we are doing all we can to get everything sorted out and the necessary funds raised, but as this is a long term project it is vital that we get things right, in order to do our very best for the animals and people of this poor area, not just for today but for the future.

The Associated Press: Statue of Egyptian king Amenhotep III found

The Associated Press: Statue of Egyptian king Amenhotep III found: CAIRO (AP) — Egyptian archaeologists have unearthed a large statue of king Amenhotep III who ruled nearly 3,400 years ago and who was the grandfather of the famed boy-pharaoh Tutankhamun.

The Supreme Council of Antiquities says the latest find was made at the king's funerary temple in the southern city of Luxor.

Thursday's statement says the 44 feet (13.5 meter) tall statue is made of colored quartzite. It is composed of several large pieces that once put together will depict the king as standing.

Amenhotep III ruled from 1390-1352 B.C.

The latest find comes after several other relics of the king were unearthed last year in his mortuary temple on the west bank of the Nile River in Luxor.

- Sent using Google Toolbar

Thursday, 1 December 2011

Drive Thru Temple of Tuthmosis III


After all the events of the last few weeks it is lovely to get back to some Egyptology. Today I was privileged to go around the Funerary Temple of Tuthmosis III with Dr. Myriam Seco Álvarez. First thanks to Mansour Boraik for arranging this for me. I find Tuthmosis III a really interesting character and his temple building on the West Bank adds to the enigma. We tend to assume that pharaohs build one temple on the West Bank and yes this is what most do. But Tuthmosis built three and at this point in time we do not understand the relationship between the three. We have the small temple at Medinet Habu which when it was built would have been the only temple at that site, we have the temple at Deir el Bahri and then the temple Dr Myriam is excavating. This is located close to the Ramasseum and in the fact the road goes right through the first courtyard, so one side of the road you have the mud brick first pylon and the other side the very large terraced remainder. (one hopes that eventually the road will be moved and the area under the road excavated as it has never been).

There is quite a lot of information on the team website http://thutmosisiiitempleproject.org/ and I also have notes from a lecture that Myriam gave http://luxor-news.blogspot.com/2009/02/mummfication-museum-lecture-tuthmosis.html

Going round today you can see that the team have done masses of work, loads of excavation and restoration. From the road the temple looks like it is made of mud brick but when you go to the top terrace and see all the stone fragments you realise that mud brick comprised only a very small part. Also the builders have made use of the natural landscape, carving into the bedrock in some places. Interestingly the temple appears to have been built on a necropolis for Middle Kingdom/ 2nd Intermediate Period and they have found a number of tombs, some intact/reused with pottery and mummies. It makes you wonder why he used that site, whether it was significant.

The stone fragments are beautifully carved and some have vivid colour on them and are worthy of museum display. The team hope to reconstruct and display what they have found but there is a LOT of work still be to done. Parts of the site are still unexcavated, lots needs recording, even more needs restoration. I suspect that Dr Myriam is going to be there a long time.

When you are on the upper terrace the layout of the temple is more obvious, split between Hathor and Amun, with separate entrances, the former being a late addition to the temple structure and boundary wall breeched in order to allow access.

Tuesday, 29 November 2011

Election Day 28th Nov Luxor Egypt

It started with service cars with loudspeakers going along the road reminding people of the candidates. Long queues built up at the polling stations of people eager to vote in their first free election. The atmosphere was almost festive, certainly peaceful, quiet and safe.






My roving reporter says
Unfortunately, I don't think that these ones have sound. I thought that my camera had audio but apparently not. One of the videos is of a group of men outside one of the polling stations near the Tutotel Hotel and the one man told us that "Today is a great day for Egypt and we are all together, Muslims and Christians", he was a Christian man. Everyone was so excited and happy that today was a brand new start towards democracy, insha'Allah.




Sunday, 27 November 2011

Luxor on the eve of the election

Four more videos, one on the East Bank and three in the Valley of Kings. it really depressed me to see the car park with only 6 coaches in it. I am not sure how people will survive if we have another bad winter.

A tourist speaks


A tour guide


Some taxi drivers


And on the East bank the same story

Friday, 25 November 2011

BBC iPlayer - World Have Your Say: WHYS60: Egyptians discuss the future

BBC World talking about Egyptians attitude to #Tahrir Sq. I am on several times at 5:40, 28:49- 34:31 several times and lastly 51-53. I wanted to get over that the people of #Luxor want stability, elections and to move forward. BBC iPlayer - World Have Your Say: WHYS60: Egyptians discuss the future: - Sent using Google Toolbar

Is Luxor safe, check out these videos taken today.

The lovely Mustafa who reassures tourists how safe Luxor is.


All these videos were taken today (sorry about the quality) and show how peaceful and quiet Luxor is.





Luxor is safe

I just sent out my roving reporter to comb the streets of Luxor looking for trouble, together with other friends on Facebook we have complied a list of what is going on
1) Big fire on the west bank....they are burning off the sugar cane
2) Member of my household has returned wounded and dirty after big fight....my cat
3) Locals assembled in Abu Haggag Square ...having a picnic
4) Rival gangs in face off .... two boys football teams
5) Huge war at the Rammasseum reported...Ramses II’s battle of Kadesh
6) Crowds, cars tooting, gunfire, motorbikes, shouting .... a wedding party
Luxor is 400 miles from the troubles in Cairo and a completely different attitude and mentality. Here most people I speak too don’t understand the demonstrators at Tahrir as they feel concessions have been made, the election process is going ahead and they want the economy to return to normal. Another winter tourist season without visitors would decimate Upper Egypt, tourism is all we have.

On a more formal note the British travel advice says
The overall level of this advice has not changed; there are no travel restrictions in place in this travel advice for Egypt.

Tuesday, 22 November 2011

A Divided Egypt: Outside Cairo Concerns Mount Over Tahrir Protests | mideastposts.com

A Divided Egypt: Outside Cairo Concerns Mount Over Tahrir Protests | mideastposts.com:

"Why are they protesting now?” pondered one police officer, who said that he was glad to have recently been reassigned from Cairo to Minya. “Why can’t they wait until after the election and then make noise if they don’t like the outcome?”

The frustration is even more pronounced in Upper Egypt, in particular in the tourist centers of Aswan and Luxor. In the past several months, the attack on the Israeli embassy, the riots in Imbaaba and Maspero, and the sporadic clashes between protesters and the military in Cairo have devastated the tourism industry upon which most of their citizens depend. It is difficult for them to get excited about the new Egypt when the so-called revolution is threatening their livelihoods.

- Sent using Google Toolbar

4 more videos showing Luxor

Here is a peaceful and quiet Luxor, these videos taken this afternoon. No demos, no violence and no tourists. This means no money for the poor people of Luxor. Hear them talk




News from Luxor Videos taken 22/11/11

People from all over Egypt are watching events in Tahrir Square. It seems a bit remote in Luxor where the locals are more concerned by daily living. Their existence is hand to mouth and dependent on tourists. Here are some comments made down by the Nile this afternoon by local men who drive taxis, sell scarves and captain boats who are staring at an empty embankment that should be bustling with tourists in this, the high season for the holiday industry.

I think it is vital to reassure our tourists that Luxor is over 400 miles from events in Cairo and perfectly safe to visit. These videos were taken in the center of Luxor, you can see Luxor temple in the background

If anyone else wants to tell their stories contact me, have video camera will travel

Luxor, Egypt news and events Nov 2011

News from Tahrir Square might make you worried about a forthcoming holiday to Luxor, you needn't worry. During the last 12 months I have seen a a normal Xmas and New Year followed by the revolution. Luxor continued to be the safe, quiet place it has always been. I have driven through demos that smiled and let my taxi through. Luxor is so not Cairo.

Tonight I had 2 sets of guests arrive one in the afternoon and one late at night. Both pickups were totally as normal. We took them to the East Bank supermarket and and the centre of Luxor.

My drivers and staff are frankly frustrated by events at Tahrir, they want peace and stability and are looking forward to voting. So please when the media reports Tahrir remember that is a few thousand people, there are another 80 odd million Egyptians who are looking forward to welcome you to Egypt

Tuesday, 15 November 2011

Friday, 11 November 2011

The slow death of the Amenhotep son of Huy project - La lenta agonía del proyecto amen-hotep huy en luxor

Edited to add the response

OPEN LETTER TO THE DIRECTOR OF “DIARIO SIGLO XXI”

November 08th, 2011


I refer to the column of opinion ‘La Linterna de Diógenes’ that, under the firm of Luis del Palacio has collected on Monday November 7th, 2011 an article that, with the title ‘La lenta agonía del proyecto amen-hotep huy en luxor’ states a series of affirmations of great seriousness in connection with the work that the team of the institution that I manage is developing in the necropolis of Luxor (Arab Republic of Egypt). In relation with the above mentioned matter I want to qualify, in my condition of person in charge of the Visir Amen-Hotep, Huy Project (TA n º-28-), for its publication, which I am confident you will consider it opportune, the following points: 1º That the information that Mr. Luis del Palacio has obtained on the Project to which he refers to in his article, is privileged and is subject to clause of confidentiality that was accepted and signed by himself when he was admitted to be part of the team that I manage, during the campaign of archaeological excavations of this year. 2º That the content of the data contributed by Mr. del Palacio as base and foundation of his article lacks the most minimum solvent technical support, and his own professional qualification does not authorize him, obviously, to venture an opinion with regard to structures and resistances in archaeological monuments. 3º That the last motivation of Mr. del Palacio to publish an article that simply tries to discredit the work that a group of Spaniards are developing in Egypt for already nine years, with an excellent result, by the way, is due undoubtedly to a series of unmentionable personal reasons that have led him to tarnish the noble exercise of the informative profession of which he arms himself with high-handedness, taking advantage of his condition and being untruthful in a serious way. 4º That one of the reasons, not the most conclusive one, due to which Mr. del Palacio was invited to abandon the team that I manage was, precisely, the formulation of threats to prejudice the viability of the project and to make an attempt on the professional and personal reputation of their Directors, myself and Mrs. Bedman González, threat that is being fulfilled in view of the article published in the digital newspaper “Siglo XXI”. 5º That the origin of all this deplorable situation has been produced in a context in which, in front of witnesses, and in evident and apparent situation of drunkenness or intoxication by consumption, Mr. del Palacio made in an extemporaneous, violent and threatening way, a series of demands related to his personal status inside the team, that could not be accepted by the direction of the project for unfeasible, being this, according to all the evidences, what has motivated the tone of his column, that tries to create an unwarranted alarm regarding the works that are being carry out since three years ago, in the same tomb, without having happened any incident as the ones that Mr. del Palacio so dramatically 'prophesies'. 6º That it should be known that the monument in which we are working is a tomb that has more than three thousand years of antiquity, that up to now remains standing, deeming that it would be a huge coincidence that it collapsed exactly now on our heads, even if this happened to give satisfaction to Mr. del Palacio in his puerile idea of using a solvent and reputable media as it is the “Diario SIGLO XXI” to give way out to his 'tantrum' because his unacceptable pretensions, bordering on the coercion to obtain personal benefits that I cannot detail in writing, have not been materialized. 7º That it should be known that technicians of ample reliability, who guarantee the security in the development of the works inside of the tomb, are integrated in our team, and that all what it has to be done is planned as a result of the detailed studies carried out, which have been opportunely submitted to the Egyptian authorities in order to obtain the corresponding and mandatory work permits in said monument.

Yours faithfully,

Francisco J. Martín Valentín
DirectorVisir Amen-Hotep Huy Project (TA nº -28-)



Original article

La lenta agonía del proyecto amen-hotep huy en luxor
Two months ago I advised the Spanish Archaeological Mission "Amen Hotep Huy Vizier Project", which I was a member until last November 4, on the advisability of not undertaking the campaign this year. The main reason is the lack of budget, given that the ministry has directed with deep Angeles Gonzalez Sinde blunder, not considered appropriate to support work with public money that would put Spanish Egyptology between the dropouts of the world. The project did not because, this year with some government assistance and has barely started, in fits and starts, by well-meaning insistence obfuscation (obfuscation, but in the end) of its directors, Francisco Martin Valentin and Teresa Bedman.
In a rarefied socio-political climate so improperly called the "February Revolution", the excavation team joined their duties, hampered by administrative in mid-October. I had the opportunity to observe in situ the early development of this campaign, which will run until December 20, if there are no circumstances that interrupt, and I publicly confess my deep concern, especially now that I can as a former member freely give my opinion as they are not bound by any confidentiality.
I must say first that this lack of budget applies to the whole project, both labor itself (had to bounce a dozen of workers last week with a lot protests) and the security of the excavation: the tomb-temple, a hypostyle hall of almost 400 m 2, is in a state so precarious that the roof threatening to collapse, at least partially, throwing pieces that could easily injure or even crush those who are at that time indoors. The team, both technically and formed by local workers, spends many hours a day with the sword of Damocles over their heads, and rarely the metaphor is so well adjusted to reality. The directors, who, in my opinion, are so irresponsible as heroic have decided to go ahead against all odds, no helmets give or reinforced boots lead to digging into the grave or make efforts to consolidate hypogeum the flimsy structures. The reason is simply lack of funds, though no less reportable fact, given that what is being put at risk are lives, not ancient mummies. To address any possible accident, only has a kit with bandages, hydrogen peroxide and paracetamol. On the other hand, the chances of quickly evacuate an injured are minimal.
Both the Egyptian authorities and the Spanish (the latter at the consular or embassy level) are not sufficiently informed of these circumstances which pose a high risk. If something happens, God forbid, not only could be casualties, which would be more painful, but other archaeological concessions that Spain has in Egyptian soil would endanger its permanence, especially at a time when the Supreme Council of Antiquities Egypt has tightened the requirements for archaeological missions, especially following the dismissal of Hazi Hawass.
During the visit a Luxor few days ago Miguel Angel Oliver, director of Cuatro TV news, to make a report and interview many, including the head of the archaeological heritage, Mustafa Amin, and the director of the Temple of Luxor and Karnak, Ibrahim Soliman, there was no opportunity to explain the precarious state of the tomb, whose roof could collapse partially, to tell of how, at any time. A Oliver, stayed for three days in the Sycamore House itself, the seat of the Spanish mission, he hid this fact because we are specifically requested that we did not mention this. I now, as a former member of the Institute for the Study of Ancient Egypt and Amen-Hotep Project Huy, I release the "vow of silence" imposed by Professors Martin and Bedmar and expose human lives are endangered and the prestige and the credibility of our country in the world of Egyptian archeology. As a matter of personal ego, should never be assumed those risks and agencies should intervene speedily.

Monday, 7 November 2011

Flats in Luxor official home of the Theban Mapping Project under Kent Weeks

Flats in Luxor is delighted to announce that they are now the official Luxor home of the Theban Mapping Project, under director Kent Weeks. The new facility will comprise accommodation for the offices of TMP as well as a public reading library A long-held dream of Kent's has been to provide guides, tourists, students, foreigners and local Egyptians with a library where they can learn more about Egypt and Egyptology, Egypt's natural history and its modern people, read English and Arabic novels, and generally enjoy books. No such facility has existed in Luxor--until now. Flats in Luxor had the ideal flat that could be converted to perform this function, in the heart of the west bank.

Kent Weeks said ‘I often get Egyptians on my team who are keen to learn more and want books. This library will be my gift to them, opening the world of literature and knowledge.”

Jane Akshar said “We are privileged to be able to provide a home for this wonderful educational facility and to Theban Mapping Project. We look forward to a long and happy association.

Theban Mapping Project http://www.thebanmappingproject.com
Since its inception in 1978, the Theban Mapping Project (TMP, now based at the American University in Cairo) has been working to prepare a comprehensive archaeological database of Thebes. With its thousands of tombs and temples, Thebes is one of the world's most important archaeological zones. Sadly, however, it has not fared well over the years. Treasure-hunters and curio-seekers plundered it in the past; pollution, rising ground water, and mass-tourism threaten it in the present. Even early archaeologists destroyed valuable information in their search for museum-quality pieces.

Today, however, we realize that the monuments of Thebes are a finite resource. If we fail to protect and monitor them, they will vanish, and we and our descendants will all be the poorer. The TMP believes that the first and most essential step in preserving this heritage is a detailed map and database of every archaeological, geological, and ethnographic feature in Thebes. Only when these are available can sensible plans be made for tourism, conservation, and further study.

During the last decade, the TMP has concentrated on the Valley of the Kings. Modern surveying techniques were used to measure its tombs. From the data collected, the TMP has prepared 3-D computer models of the tombs. And of course, the TMP is continuing its excavation of KV 5. For the TMP staff, sharing their work with the interested public is just as important as what they do in the field. This has been done through a series of publications and this growing and award winning website.

Flats in Luxor http://www.flatsinluxor.co.uk
Established in 2003 by Jane Akshar and Mahmoud Jahlan, providing quality accommodation to independent travellers and long stay visitors to Luxor. Now with 2 swimming pools, a restaurant, 27 apartments and 5 villas, it has featured in Sunday Times, Boston Globe, Lonely Planet and A Place in the Sun.

Saturday, 5 November 2011

Dig houses in Egypt: Stoppelaere House on Luxor's West bank

More updates on dig houses in Luxor, this is the one that is often mistaken for the Carter House as it is on the top of the hill and the Carter House in a grove at the bottom. Dig houses in Egypt: Stoppelaere House on Luxor's West bank: - Sent using Google Toolbar

Monday, 31 October 2011

The Workmen’s Huts in the Theban Mountains -Project 2008–2013

I have loads of good Finish friends who love Egyptology, it seems to be a national characteristic :) This is an excellent website about the work of the Finnish team in Luxor for all those friends. The Workmen’s Huts in the Theban Mountains -Project 2008–2013: - Sent using Google Toolbar

Sunday, 30 October 2011

Dig Houses in Luxor (via EEF)

We(Marcel and Monica Maessen) are happy to announce that we have been able to put up three new articles about dighouses in the Luxor area.

Although investigiations into the houses' history is still ongoing, we felt we had to place our preliminary articles anyway. Not in the last place to hear the reactions of people who actually lived in one of the houses.

Here are the articles we placed:

The Metropolitan house:
http://www.tawy.nl/EN_dh_The_Metropolitan_Dig_House_Luxor.html

The "The Garis Davies" house:
http://www.tawy.nl/EN_dh_Beit_Nimsawi_Home_to_Norman_and_Nina_de_Garis_Davies.html

Theodore Davis House:
http://www.tawy.nl/EN_dh_Davis_House_Luxor.html

Complete photoshoots will be available in February 2012.

Looking forward to all reactions.

More information on one of these houses (or any dighouse in Egypt) is always welcome.
For this, please reply off-list to research@tawy.nl

Marcel and Monica Maessen
The t3.wy Project

Monday, 24 October 2011

Pork in Luxor



Pork in Luxor
You have always been able to get pork at Christian run restaurants like the Gaddis but now we have direct supplies from Germany from Luxor Foods. They had their launch party with lots of delicious samples.


Snippets from Egypt Property for Sale:

Some products needed cooking and the schnitzels, curry flavoured bacon were really tasty, others were cold meats like ham and Parma ham.






This is just a selection from their range and very welcome addition to the Luxor food front. When I first moved here it was hard to get cheddar cheese, sliced bread, sugar free cereals now with Arkwright’s, KZ and 40 we have great supermarkets with a good range of products. See below for the current product/price list




This is the current product price list in Egyptian pounds


OUR PRICE LIST.
511869 GRILL SAUSAGE 10 PER PACK. 1KG EP 162,50
67306 GOULASH FROM THE SHOULDER, CUT 2X2X2. 2KG EP 330,--
67305 GYROS,2KG EP 303,--
57313 COLLAR STEAK, 160 GR. P.P. EP 27,--
67304 MINCED MEAT, 18%FAT, 2KG EP 282,--
67309 ESCALOPE (BREADED) 120 GR. P.P. EP 18,--
67310 CORDON BLEU, BREADED, 140 GR. P.P. EP 22,50
67311 MINI KNUCKLE, READY COOKED, 180 GR. P.P. EP 34,50
67308 HAMBURGER/MEATBALLS, PACKED 10X 25 GR.(T.250 GR) EP 30,--
MEAT.
24097 CHOPS, COLLAR, IN SLICES, 1KG EP 123,--
25031 BELLY, AS GROWN, FLANK, IN PIECE, 800 GR. EP 69,--
26017 FILET, 2 PIECES/PACK, 650 GR. EP 163,50
27098 SPARE RIBS, 2 PIECES/PACK, 1900 GR. EP 187,50
23037 COLLAR/NECK, BONELESS, 2.500 GR. EP 349,50
23037 COLLAR/NECK, BONELESS, 1.250 GR. EP 147,--
21617 TOPSIDE WITH CAP, 1 PIECE, 2.500 GR. EP 349,50
24267 LOIN BONELESS/ SLICES, 600 GR. EP 93,--
SMALL PACKAGES.
511866 COOKED HAM/SLICES, 200 GR. EP 37,50
511851 COLD CUT OF SMOKED ROAST/SLICES, 100 GR. EP 24,--
511864 CRUSTED HAM/WESTFALIA STYLE, 200 GR. EP 54,--
FAMILY SIZE.
511854 RAW SMOKED HAM, 500 GR. EP 144,--
511846 SMOKED BACON, IN SLICES, 500 GR. EP 133,50
511847 SMOKED BACON, SERRANO STYLE, IN SLICES, 500 GR. EP 220,50
511849 BREAKFAST BACON, IN SLICES, 500 GR. EP 117,--
511850 SALAMI/WESTFALIA STYLE, IN SLICES 90 MM. 500 GR. EP 96,--
PIECES.
511867 COOKED HAM, NOT SMOKED, 2000 GR. EP 369,--
511859 RAW SMOKED LOIN, 1800 GR. EP 360,--
511859 RAW SMOKED LOIN, 900 GR. EP 180,--
511861 COOKED HAM, PRAGUE STYLE, 2.200 GR. ½ PIECE, EP 459,--
511861 COOKED HAM, PRAGUE STYLE, 1.100 GR. ¼ PIECE, EP 220,50
511863 COOKED HAM IN STRIPS, 500 GR. EP 73,50
SMOKED PIECES.
511868 P SMOKED LOIN, BONELESS, 1900 GR. EP 313,50
511868 S SMOKED LOIN, BONELESS, 600 GR. EP 99,--
511860 BACK PIECE, PRE COOKED/SMOKED. 2500 GR. EP 418,--
511860 BACK PIECE, PRE-COOKED/SMOKED. HALF PIECE, 1250 GR. EP 209,50
511858 COLLAR, NECK, BONELESS, PRE-COOKED/SMOKED, 2500 GR. EP 396,--
511858 COLLAR, NECK, BONELESS, PRE-COOKED/SMOKED, 1250 GR. EP 198,--
511862 ROAST WITH CRACKLING, PRE-COOKED/SMOKED, 3800 GR. EP 570,--
511862 ROAST WITH CRACKLING, PRE-COOKED/SMOKED, 1900 GR. EP 285,--
511857 SQUARE CUT BELLY, BONELESS, PRE-COOKED/SMOKED 1750GR. EP 228,-
511856 P TENDERLOIN CHOPS, PRE-COOKED/SMOKED, 1000 GR. EP 133,50
511856 S TENDERLOIN CHOPS, PRE-COOKED/SMOKED, 550 GR. EP 73,50
511855 RIBLETS, 1 PIECE, PER-COOKED/SMOKED, 800 GR. EP 90,--

ITS EASY, PHONE YOUR ORDER IN, 01110123158, OR EMAIL LUXOR.FOODS@GMAIL.COM AND WE SEND YOU A CONFIRMATION.ORDER PLEASE BEFORE THURSDAY, THEN YOUR ORDER IS WAITING FOR YOU ON SUNDAY A WEEK AFTER (11 DAYS) AT OUR OUTLET “BROODJE HOLLAND”
EL RHODA EL SHARIFA STREET, OPP. THE LOTUS HOTEL. (known locally as Little Britain St)








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Saturday, 22 October 2011

Working Shaduf | Irriigating the land in Luxor

Working Shaduf | Irriigating the land in Luxor: Meet Mohammed, he has a small plot of land which is still watered using a shaduf, the video clip shows it in operation.




A shaduf is a simply but effective method of raising water from a lower level, often a canal, to a higher level, usually a field. Shadufs are shown on ancient egyptian tombs and have be in use in Egypt for 5 thousand years. Often today they have been replaced by diesel pumps.



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THEBES (The Blackburn Egyptology Society)

Good news for Blackburn, you now have your own Egyptology Society. Here is details from their facebook page. (clever name) (2) THEBES (The Blackburn Egyptology Society): The Blackburn Egyptology Society (Thebes) is a newly formed society which will meet on a monthly basis, with the inaugural meeting on 7th November 2011.

Meetings will usually take place on the first Monday of each month, in the Abram Room, which is located on the first floor of Blackburn Library, and begin at 7.15pm (doors open 7pm).

Entry only £4.

Mission
Thebes 2011-12 Lecture Programme:

Monday 7th November 2011
“The Return of the Lost Pharaohs” by Michael Eastwood

Monday 5th December 2011
“From the Nile to the Kent: A New Look at Kendal Museum's Egyptology Collection” by Anna Garnett

Wednesday 4th January 2012
“Perfected Images: Masterpieces of Late Period Egyptian Art” by Dr Campbell Price

Monday 6th February 2012
“The Early Dynastic Naqada Royal Tomb: A Royal Tomb Assemblage from Earliest Pharaonic Egypt” by Hayley Meloy

Monday 5th March 2012
“The Fortress at the End of the World” by Dr Steven Snape, Senior Lecturer in Egyptology, University of Liverpool

Monday 2nd April 2012
“Old Kingdom Tomb Art” by Sarah Griffiths

Tuesday 8th May 2012
“Everywhere the Glint of Gold” by Claire Ollett
Email
thebes2011@yahoo.co.uk

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Thursday, 20 October 2011

Virtual visit to the tomb of Djehuty TT11

what to do in Luxor at night

Some night time shots of Luxor, they have made a nice square in-between Luxor temple and MacDonald’s and this is a popular place for the locals to spend an evening. Families will picnic here late at night, enjoying food and drink. The kids play football and other games. All with the back drop of Luxor temple. A word about Christians and Muslims, in the video you can see two nuns crossing the square, we thank God that Luxor has not seen problems between Muslims and Christians and these two nuns can walk, relaxed and chatting in front of Luxor’s most famous mosque Abu Hajaj

Tuesday, 18 October 2011

Spaceobserver.net

I went on this trip some time ago and thoroughly enjoyed it. Recommended for an evening in Luxor. Nice to see they have a website now. spaceobserver.net: - Sent using Google Toolbar

Sunday, 16 October 2011

Council of Antiquities survey paves way for land sell-off - Ancient Egypt - Heritage - Ahram Online

Council of Antiquities survey paves way for land sell-off - Ancient Egypt - Heritage - Ahram Online: For the first time since the French expedition to Egypt in 1789, the Supreme Council of Antiquities (SCA) is to establish a comprehensive inventory of the land it owns around Egypt.

Such an inventory will entail archaeologists carrying out major archaeological surveys of these plots in order to declare them protected archaeological sites.

Mostafa Amine, secretary-general of the SCA, told Ahram Online that lands declared free of monuments or artefacts will be offered for investment. He continued that lands housing movable artefacts will be declared open for investment after all authentic objects have been removed to museums.

The inventory processes will led by Atef Abul Dahab, head of the Ancient Egyptian department at the SCA, who promised the inventory would be completed as soon as possible. Abul Dahab explains that SCA archaeologists will begin investigating lands originally in the possession of private individuals and governmental authorities which were transferred to the SCA whilst investigations were made into the possible existence of antiquities.

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Saturday, 15 October 2011

Jane Akshar's place, flats in luxor - Review of Flats in Luxor, Luxor, Egypt - TripAdvisor

Such a nice review from a revolution guest, well she was staying here while it was going on.

Jane Akshar's place, flats in luxor - Review of Flats in Luxor, Luxor, Egypt - TripAdvisor: I visited Flats in Luxor twice in early 2011, before and after the revolution. The first time was to make a connection to a dajabiya that took me to Aswan (arranged by Jane--and it was an excellent trip). I was supposed to return to Luxor from Aswan to visit the tombs and temples there, but the trains stopped running during the revolution, so I returned the next month as I was living in Europe for the year. Jane is a treasure. She helped me so much, mostly with information about the tombs and temples but also had dinner with me one night (I was traveling alone) and hooked me up with a group of French tourists so that I could go to Abydos without breaking the bank. I stayed in an apartment in her building (there are several to choose from) on the top floor, and this was perfect, in large part because it gave me access to Jane and her library but also for the spectacular view of the area. The apartments are on the west bank of the Nile. There is a village but it is also very rural which appealed to me--there were banana plantations, donkeys roaming around, and the gorgeous green-green everywhere of Egypt near the Nile. I felt like I was really in the country, not insulated by some Western-oriented resort on the east side of the river, and this suited me just fine. I walked into the village, rode the ferry across the river to see the temples there, enjoyed interacting with the locals. I recommend reading Jane's blog before making the trip, which is remarkable for its detail about the most recent developments in the archeological excavations and for its wit. I highly recommend staying at Flats in Luxor when you visit. You'll have a richer experience for it.

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Amenhotep III temple safe from flooding

Just picked this up on Facebook via Robin Young

From Dr. Hourig Sourouzian, director of the Amenhotep III Mortuary Temple Project,
"As you guessed, the news about the flooding concern the north gate of the temple of Amenhotep III , where the SCA was working, and it was irrigation water.
The part of the temple where we work is safe and the monuments untouched."
Knowing that the lower part of the temple is part of the West Bank dewatering project funded by USAID thru a grant to the American Research Center in Egypt, which has successfully lowered groundwater there, I asked Hourig if this was a breach in a dike from one of the local farms irrigation channels. Her response is as above.

Keep in mind too, while reacting, that the Temple was regularly flooded by the inundation thru the mid 1950's. I was on site the day they discovered the lowest course of intact mud brick in the foundations: still good after 5,000 years. There are some who think the temple was designed to be inundated as part of the restoration of life ritual of the mortuary cult. Bad as the current water may be, probably no lasting damage.......

Wednesday, 12 October 2011

Project resumed in Luxor to protect temples from subterranean water - Ancient Egypt - Heritage - Ahram Online

Project resumed in Luxor to protect temples from subterranean water - Ancient Egypt - Heritage - Ahram Online: 2 / 3
Gallery


Following nine months of delay, an American-Egyptian mission responsible for lowering ground water at archaeological sites in Luxor resumed its work today. The project aims to decrease the subterranean water level that has affected the foundation stones of five temples in Luxor: Karnak and Luxor temples on the east bank, and Seti I, the Ramessium, and Merneptah and Haremhab on the west bank.

Today, to mark the resumption, the secretary general of the Supreme Council of Antiquities Mostafa Amine, U.S. Ambassador to Egypt Anne Patterson, Governor of Luxor Ezzat Saad, and the head of the National Authority for Drinking Water and Sanitation Mohamed Mohsen inaugurated the project.

The project, which was established in 2007 at a cost of LE50 million and is funded by USAID, aims at reducing the subterranean water under these temples by channelling it into a huge reservoir connected to the main Luxor city drainage system.

Amine told Ahram Online that this reservoir will be able to gather 1,100 cubic metres of water every hour. He added that archaeologists will monitor the structural integrity of these temples in order to restore any damage that could have occurred to any of the temples’ blocks.

Collaborative work between the Council and USAID started in 1993, when almost 70 archaeological projects were conducted in different fields of excavation, restoration and training for curators.

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Tuesday, 11 October 2011

New twist in the tale of Tutankhamun's club foot - life - 11 October 2011 - New Scientist

New twist in the tale of Tutankhamun's club foot - life - 11 October 2011 - New Scientist: "IT IS normal," Robert Connolly exclaims, poring over the faded pages of an obscure, decades-old book. Connolly has found an image that appears to settle the controversy over whether the boy king Tutankhamun had a club foot. As with many mysteries related to the famous mummy, the truth is hard to pin down.

The argument started last year when a team led by Egypt's then-chief of antiquities, Zahi Hawass, reported that Tutankhamun's left foot was severely deformed.

Hawass's team CAT-scanned the mummy in January 2005. Their subsequent paper, published in 2009, noticed no foot-related problems. Then a reanalysis concluded that Tutankhamun's left foot was in a sorry state. The authors diagnosed club foot, two diseased metatarsals, and a missing toe bone (Journal of the American Medical Association, DOI: 10.1001/jama.2010.121).

The finding that Tutankhamun was disabled made headlines around the world. But Connolly - a researcher at the University of Liverpool, UK, and part of a team that X-rayed the mummy in 1968 - is convinced it is wrong.

The 1968 team was led by the late Ronald Harrison, also of Liverpool, UK. Most of his X-rays were never published, but Connolly says they show that both of Tutankhamun's feet were normal. If Connolly is right, the deformities in the scans are due to damage inflicted since 1968.

Connolly knew that the X-ray of the left foot appeared in a book Harrison had contributed to - Chronicle: Essays from ten years of television archaeology - written to accompany a TV documentary. New Scientist tracked down the book and the image shows a healthy foot.

Our excitement was short-lived, however. Though the photo (pictured) is labelled "left foot", it turned out to be a flipped image of the uncontroversial right foot.

Ashraf Selim, a radiologist at Cairo University in Egypt, who co-authored last year's paper, says the mix-up vindicates his findings that Tutankhamun's foot was deformed in life.

Yet other experts share some of Connolly's concerns. James Gamble, an orthopaedic surgeon at Stanford School of Medicine, California, says the foot must have twisted after death because the shape of the bones is normal, an impossibility in a club foot.

And Frank Rühli, at the University of Zurich, Switzerland, and co-author of the Hawass team's 2009 paper, says the abnormal metatarsals and missing toe bone are located close to an open lesion, suggesting damage might be a possible cause. Selim counters that recent damage would have caused telltale breaks in the fragile bones.

The missing X-ray of the left foot would settle the matter. Connolly's hunt continues.

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